BIO

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By high school, Noel was performing in local talent shows, parties and events sponsored by the city. “We’d always keep it true, trying to put it down for the home town,” he fondly recalls. “It was a pleasure performing in Brockton. I did shows for the Boys and Girls Club to help keep the kids motivated.” It was also while in school that Noel hooked up with a local producer, who sensing his talent took Noel to a small studio. While the recording facilities might have been modest, the pay off was enormous as Noel recalls: “I had somewhere to get the music off my chest and after a year I had a bunch of tracks together, doing all the music and writing all the lyrics.”

Following graduation, Noel focused even more on music and further strengthened his commitment to his community by working at a local group home for battered kids. “It was a passion of mine, being able to affect a kid’s life and trying to be a positive role model.” By 2002, Noel and Stalin Entertainment owner Larry “Lucky” Fernandes had built their business relationship and sealed their artist management deal with a handshake. After a year of writing and producing new songs -- following a club date in Providence, RI -- Lucky introduced the Noel project to producer/artist Tommy Olivera, who, with songwriter Balewa Muhammad, now make up Noel’s production team. Tommy also had a wide range of industry contacts, among them former Naughty By Nature DJ / producer Kay Gee, who is best known for his production work for Jaheim, Zhané and Next. Within no time, Noel was working with Kay Gee at his New Jersey studio. In 2004, Kay Gee asked him to contribute a song to The Cook Out soundtrack; Noel cut “Family Reunion,” which by his own admission signaled a new musical direction. “Working with everyone had really opened up my horizons and I started looking at concepts and listening to music in a different way. I wanted to come up with something that wasn't out there.” With that in mind, Noel kept writing and amassed close to an album’s worth of material, which he and his team sent out to taste-makers in the music industry. He also met with label executives, which resulted in an introduction to Sony Urban Music’s V.P. of A&R, Chad Elliott in June 2005. Armed with a slew of tracks, including early versions of “Hurts Like Hell” and “The River,” Noel caught Elliot’s ear and by the end of the summer a showcase was set up for the young singer/songwriter. By the fall of that year, Noel was offered a record deal. “Getting signed was unbelievable. I’m very family oriented, so to be able to make them proud meant everything to me. Plus, I think my deal showed other Brockton musicians that it’s not just a pipe dream.”

That dedication comes through on Noel’s emotionally-stirring debut CD, something his seasoned producers recognized early on and played up. “I know a lot of people say this, but I think he’s just a breath of fresh air [right now],” explains Kay Gee. “I think the fact that we haven’t heard singers like him in a while, mixed with the sound of his falsetto, lets us know that there’s something missing in the music industry right now. I think there’s a lane open for his sound.” Raphael Saadiq wholeheartedly agrees, adding, “Noel’s a young soul who can sing in all kinds of different areas. He’s from Mississippi but lives out in Boston, so he’s bringing a certain flavor from both places. His style is really soulful. He’s very competitive and cool, but also has that energy that you need out there in the urban world.” Asked to describe his soulful collection and Noel straightforwardly replies, “It’s emotional and vulnerable, but still strong and secure. More than anything, I wanted to make music that was real, relatable…and timeless.”

AUDIO LINK

Noel Gourdin "River": WM | QT

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