According
to the dictionary the word zero is a numerical symbol that represents
the absolute absence of any quantity or magnitude. It is the lowest
possible point or degree, nothing, zilch, nada, nil. Over the years the
word zero has come to represent the average brother struggling to
survive in the wake of devastating poverty and institutional racism that
has regulate young Black men to the bottom of America’s socio-economic
latter; hence the reason why Houston native and Rap-A-Lot latest rap
sensation Z-RO chose the numerical symbol for his stage moniker.
"I come from nothing," says Z-RO.
"Didn’t have nothing and couldn’t see nothing up ahead.
Everything was just nothing. So I told myself a long time ago that I am
going to adopt the name of nothing and make something with it. I [took]
that name to keep me grounded [and] to remind me of where I came from
[and] to respect my blessings right now so I don’t go back that
way."
And the place where Z-RO came from was nowhere
near nice. Born Joseph Wayne McVey in Houston’s rough and tumble South
Park area. The 28 year old rap sensation was shuttled from household to
household, in search of stability. But that stability would be even
harder to find when at age six Z-RO’s mother died, forcing him to come
to grips with pain at an early age. Once again Z-RO was forced to move
to the east side of town, where things started to get kind of hectic for
him. "That’s when shit started to get real," recalls Z-RO.
"A nigga started experiencing gun shots, stab wounds and all that
other type of shit….all the shit that comes with being grown."
By the time Z-RO had reached his late teens he
had fallen victim to many of the traps that the system had set for young
Black males, seeking a decent life with no jobs or opportunity
available. He hit the block hustling.
Ironically, it was while he was hustling that
he discovered rap music. According to Z-RO listening to the music of
Tupac, The Geto Boys, Street Military, K-Reno and Klondike Kat inspired
him to hustle harder so he could one day get himself out of the trap for
good.
It wasn’t long before Z-RO went from
listening to rap music to kicking his own little freestyles over
instrumentals that he heard on the radio and deciding that he was good
enough to get into the rap game.
After going through a couple of studios
recording demo after demo he finally caught a big break when he was
hanging out in a studio and the CEO of a local rap label heard him free
styling and signed him. In 1996 Z-RO Dropped his underground debut
entitled "Look What You Done to Me." The record created a huge
buzz for Z-RO who quickly followed that up with Z-RO Vs the World and
King of the Ghetto as well as a record by his group the Guerilla Maab.
In addition to this Z-RO also joined the late great DJ Screw’s
legendary Screwed Up Click and started spitting fire on the pioneering
DJ slowed down tapes. All of these things helped to escalate Z-RO’s
buzz throughout the South and by 2002 his talent and hard work caught
the attention of Rap-a-Lot’s founder and CEO James Prince, who offered
him a deal.
In 2004, Z-RO released his critically acclaimed
Rap-a-Lot debut called The Life and Times of Joseph McVeigh. The record
was a huge success and helped expand Z-Ro’s massive fan base beyond
the Deep South. Now with his latest album Let the Truth be Told Z-RO is
poised to take the world by storm, while starting a firestorm of
controversy in the process. By sticking to what he calls "the
G-Code" Z-RO is telling it like it really is on the streets and
letting the chips fall where they may.
Produced by a slew of the South’s hottest
producers lead by the legendary Mike Dean Let the Truth Be Told stands
as one of the best records that the label has released in a while. True
to Rap-a-Lot and Z-RO’s tradition of keeping their music real street
is the lead single entitled The Mule featuring label-mate Devin the Dude
& Juvenile, a slow and nasty song that harks back to the randy
tradition of the Geto Boys "This Dick is for You" jam.
"For those that don’t know hitting them with the mule means
fucking the dog shit outta somebody’s daughter," explains Z-RO.
Another standout track is the heartfelt song "I’m Going
Platinum," a song that displays Z-RO positive outlook on his
career. While these songs help to give the album a variety it is the
hardcore, take-no-prisoners attitude of songs like the title page that
make Let the Truth be Told so irresistible.
"I’m gonna let the truth be told on
faggot-ass police. I’m let the truth be told on these faggot-ass CEOs
of these record labels, I let the truth be told on these faggot-ass
niggas in the street, I’m letting the truth be told on these rappers
–that’s one thing about me is I tell like it is. You can call me a
label muthafucka because I put labels on muthafuckas. It’s a lotta
muthafuckas rapping from the 3rd person man. They just there
to talk about shit in general. Me, I’m gonna talk about some
particular shit or some particular muthafuckas. If I feel like a
muthafucka’s being less than a G then I’m gonna say it on my shit.
That’s why I called it Let The Truth be Told."